For Immediate Release
August 28, 2017
For Immediate Release
August 28, 2017
August 8, 2017
Album is a masterful overlay of gentle acoustic textures,
emotional turbulence, and philosophical insight
“And Hope Dunbar… caught me off guard with some incredible
language and truth telling… It’s these kind of surprises in the
after-midnight hours when the endorphins of music ecstasy meet
the endorphins of fatigue, that make Folk Alliance special.”
— Craig Havighurst, The Bluegrass Situation
Nebraska-based Americana-country-folk singer-songwriter Hope Dunbar is set to release her new album, Three Black Crows, on October 6, 2017. Produced by Emily White, the album was recorded at Little School Street Studio in Chicago, with Rachael Moore assuming mixing duties in Nashville. The album is a masterful overlay of gentle acoustic textures, emotional turbulence, and philosophical insight. Dunbar is a pioneer of the New American Prairie Style – the incarnation of Americana and country-folk that is staking claim under a big sky, shouting at the north wind, and digging in and refusing to leave.
“These songs are more honest than what I’ve done in the past,” Dunbar says. “They’re based on real-life people I see every day. In a small town, you get real close to your neighbors. You hear about moms and dads who lost a son you didn’t even know they had because you weren’t there when they died. Their loss will never go away but they’re living with it. They keep going because they have to. If anybody needs a song, it’s these people.”
Dunbar’s songs live on two planes simultaneously. One describes the everyday routines to which we all eventually surrender. The other zooms in on the people who move through their habitual rituals. Her target is the sorrow from which they’ve learned to hide but can never escape. (“The victim didn’t know what hit him…” “She keeps going ’cause she has to…” “We can’t keep these clocks from ticking…” “Jenny don’t drink a drop but her husband does…”) And — perhaps her greatest achievement — she reconciles the two, time and again, with resignation (on “Better Than Ever,” which also features vocals from Darrell Scott) or fury (on “Revolver”) or even empathy for the well-intentioned but alarmingly clueless lover (on “Jeneane”).
Sometimes a few words spin a narrative suddenly into unexpected directions. With just the phrase, “I sighed,” “Living After Losing” veers from unspeakable tragedy to the necessity of moving on. After describing a horrific murder in “The Shooter,” she contemplates the fate of the victim and horror of the witness. And then she whispers, “I’m more like the shooter.” Taken together, these songs and the others from her new album, Three Black Crows, confirm that Dunbar is a singer-songwriter like none other.
Growing up in Mission Viejo, California, she shied away from the beach culture that predominated. Her parents enjoyed hosting foreign exchange students; their languages, accents, and songs whetted Dunbar’s curiosity about unfamiliar cultures. Six months spent in Paraguay during high school stimulated her interest in writing as she journaled about her experiences, while Dunbar’s fascination with travel led her to enroll at Valparaiso University, halfway across the country. She met and married her husband there and moved with him to a small town in Iowa, where he had been appointed to minister at a Lutheran church. She started singing folk songs with a new friend, at public libraries, farmer’s markets and fairs.
The wildfire need to write hit her, and she began penning her own songs, and the prairie of her current hometown of Utica, Nebraska (population 800) is perfect for her writing process. “I really enjoy the empty space,” she says. “There’s no noise where I live in Utica that can get in the way of what my brain wants to write about.”
Drawing from Simon & Garfunkel, Indigo Girls, Patty Griffin, Nanci Griffith, Joni Mitchell, John Prine, Lori McKenna, and other inspirations, she developed a distinctive perspective, musically and lyrically. Her debut solo EP, Woman Like Me, came out in 2013. In 2014, as a participant in the “RealWomenRealSongs” project, she wrote 52 songs, one per week. The following year, Dunbar recorded an EP, The End Of Wanting, and was a finalist at the Kerrville New Folk Festival. She took second place in American Songwriter magazine’s lyrics contest early in 2017 with her song “We Want.” She also performs in the ukulele trio, Star Belle.
Dunbar is planning to play live in support of her new album. In the past, she has shared stages with Darrell Scott, Richard Shindell, and Tom Paxton, among others. Confirmed tour dates are listed below and more will be announced soon.
Hope Dunbar Tour Schedule:
August 23 – Utica Senior Center, Utica, NE (solo show)
August 26 – Red Path Gallery, Seward, NE (solo show)
September 1 – Crescent Moon Coffee, Lincoln, NE (solo show)
September 8 – Swallow Hill Music, Denver, CO (Star Belle show w/Brewer and Shipley)
September 9 – Pioneer Days, Bayard, NE (Star Belle show)
For Immediate Release
July 31, 2017
Songs merge the influence of Southern literary authors with the rhythm and melody of life
Birmingham, AL-based Americana/folk singer-songwriter Joel Madison Blount is set to release his new album, Our New Moon, on September 29, 2017. Merging the influence of Southern literary authors with a musical response to the rhythm and melody of life, Blount writes songs about the human experience, meant to offer hope and inspire the listener. The songs appearing on Our New Moon were written in response to the birth of Blount’s first child and represent a new beginning for his growing family, and a new phase of life for Blount and his artistic career.
“A new moon marks the start of the first phase of Earth’s moon during the course of the lunar cycle,” says Blount, “and it also alludes to the mystery surrounding what we will encounter on our journey ahead, as neither are visible from our perspective.” Themes on the album wind their way through a time of sorrow and brokenness, but ultimately lead the listener to witness redemption and an outpouring of grace. “This is a record in favor of the quiet life,” Blount says about his forthcoming album, “best savored while winding down in the peace and calm of the evening.”
Standout tracks on the album include “Beauty that Remains” (which calls upon the listener to reflect upon the beauty of life in spite of personal shortcomings and failures), “Arms Open Wide” (written as a letter to his son after learning he would become a father), and “Inner Monologue” (written as a response to fear and anxiety – with the refrain “just let it go” sung as a reminder for us to let go of the things we can’t control).
Changing the way he usually approached the guitar, through the use of unfamiliar tunings, Blount challenged his songwriting sensibilities, breaking what had become rote in search of new perspectives. Limiting reliance on routine chord progressions allowed him to simplify song structures, discover new melodies, and focus on crafting more pointed lyrical content. He also invited others to collaborate with him in the studio, including producer Brian T. Murphy (The Lone Bellow, Sandra McCracken, Greg Holden, Drew & Ellie Holcomb), guitarist Josh Vigneulle, bassist Will Weir, and drummer Alex Hinson. Production in the studio was intentionally limited to a four-piece band in order to ensure the songs were presented in a simple, yet elegant manner. The album was mixed by Chris Steffen (Damien Rice, Beck, John Mayer, Joshua Radin) and mastered by Harris Newman.
Our New Moon follows on the heels of his first full-length album, Taming the Wind, which released in early 2014, and two EPs (Joel Madison Blount in 2010 and I Believe in Love in 2011); Blount has pursued music professionally as a singer, songwriter, guitarist, and producer since 2010. In a previous life, Blount worked as a CPA in public accounting before refocusing his endeavors solely toward artistic pursuits. In addition to his work as a solo artist, Blount runs a music production studio called The War Room out of a nearly century-old commercial building near his home, he is the band coordinator for a local church, and he is a member of the band War Jacket and A Slim Shadow. Fun fact: he’s a distant relative of the author Roy Blount Jr., another relative is ’70s rocker Ray Sawyer of Dr. Hook & The Medicine Show.
Blount is planning some tour dates in support of Our New Moon. Tour dates will be announced soon.
For Immediate Release
July 24, 2017
“His schooling is firmly grounded in Hank Williams, Neil Young, and Ryan Adams. And as you would expect from an artist whose sound takes in such references, his debut record Songs From The Hive is a record of folky Americana and heartbreaking country.” – Songwriting Magazine
“A pure, expressive voice and a fondness for lonesome steel guitar” – CMT Edge
New York City-based Americana singer-songwriter Brian Dunne is hitting the road in celebration of his new album, Bug Fixes & Performance Improvements, which was just released in May. The tour run includes shows with The Stray Birds, Pat McGee, and Lilly Hiatt. (See list of confirmed tour dates below; more dates will be announced soon.) Already he’s been busy on tour in 2017, including dates with Joan Osborne, Delbert McClinton, Liz Longley, and Ryan Montbleau, as well as performing on the Cayamo Cruise (along with Emmylou Harris, Steve Earle, Brandi Carlile) in early 2017. Last year, Dunne supported tours for Will Hoge and Liz Longley, and performed at Off The Record Music Festival and Down The Hatch.
Dunne’s first single from the album, “Don’t Give Up On Me,” premiered in February on SiriusXM’s Coffee House, and the second single, “You Got Me Good,” was released in April. Dunne’s recent appearance on NPR’s Mountain Stage aired in May.
“I made this record to play live,” says Dunne. “I wrote these songs while traveling around the country and nothing is better than bringing the music back to its natural habitat.”
Produced by Dunne himself and engineered by Andrew Sarlo (Big Thief, Nick Hakim), Bug Fixes & Performance Improvements is flush with twang and heart, with more than a passing nod to folk and Springsteen-esque everyman rock in its Americana goodness. Dunne found inspiration and song topics everywhere; a conversation with his friend Longley (who sings on “We Don’t Talk About It” on the album) inspired the lead track, “Tell Me Something.” “Taxi” is a song about the pursuit of something invisible and intangible, and the risk that comes with it. “You Got Me Good” is a song about being a sucker, while “We Don’t Talk About It” is a reflection on how we treat the people we’re closest to, and “Chelsea Hotel” deals with the crutches we lean on when our lives are too difficult to withstand.
“The record didn’t really take shape until I came up with ‘Don’t Give Up On Me’ one afternoon, sitting at my living room table,” says Dunne. “It seemed to sum up my mission statement for the whole record. It’s about the devotion to maintaining your idealism as the world makes you more cynical. It’s about putting your chips back on the table after you’ve suffered a big loss. And if you have to lose again, lose in a big way. I love that idea.”
Dunne grew up in upstate New York, and after graduating from the Berklee College of Music he made his way to New York City where he settled in Brooklyn. In 2012, he released The Brooklyn Bridge EP. That was followed in 2015 by his album Songs From The Hive, his musical nod to The Band and Bob Dylan, which garnered the attention of outlets like No Depression and Daytrotter. He toured extensively following its release, boasting nearly 300 shows in a year and a half where he won praise from fans and press alike.
Brian Dunne Tour Schedule:
Jul 24 – Nectars, Burlington, VT (w/The Stray Birds)
Jul 25 – Caffe Lena, Saratoga Springs, NY (w/The Stray Birds)
Jul 27 – 20 Front Street, Lake Orion, MI (w/Pat McGee)
Jul 28 – Seven Steps Up, Spring Lake, MI (w/Pat McGee)
Jul 29 – City Winery, Chicago, IL (w/Pat McGee)
Aug 01 – Thirty One West, Newark, OH
Aug 04 – Tally Ho Theatre, Leesburg, VA
Aug 05 – Rams Head On Stage, Annapolis, MD
Aug 12 – Norton Chapel, Gloucester, MA
Aug 18 – Rocky Mountain Folks Fest, Lyons, CO
Aug 19 – Philadelphia Folk Festival, Philadelphia, PA
Aug 28 – Club Café, Pittsburgh, PA (w/Lilly Hiatt)
Aug 29 – Boot & Saddle, Philadelphia, PA (w/Lilly Hiatt)
Sep 05 – Jammin Java, Vienna, VA (w/Lilly Hiatt)
Sep 10 – Boulton Center, Bay Shore, NY (w/Stephen Kellogg)
Sep 16 – Little C Music Festival, Canton, OH
Sep 30 – Caffe Lena, Saratoga Springs, NY
Oct 13 – Me And Thee, Marblehead, MA
Oct 28 – Next Stage, Putney, VT (w/The Mammals)
…more dates to come.
For Immediate Release
July 18, 2017
Foot-stomping, sass-filled, no-bones-attitude,
country/folk/soul storyteller from the heart of Canada
Montreal, Canada-based Americana singer-songwriter Melissa Plett is set to release her new full-length studio album on September 1, 2017. Entitled Ghost Town, the album was recorded in Nashville at Omnisound Studio with the help and guidance of well-known Nashville musician/producer Pat Severs and the collaboration of countless talented locals. The eight songs encapsulate Plett, who is a glittering bound of energy who holds your attention captive, blasts you across the room with her powerful voice and then slowly reels you in like a tractor beam, weaving her life experiences into the fabric of her craft with a laugh or with a tear. Her music is enriched by a lifetime of love and warmth, yet scarred by devastating heartbreak. Her influences come from the down-south storytelling of Johnny Cash, the pioneering tell-all nature of Kitty Wells, and the heart-wrenching tales of hardship from Etta James and Ray Charles.
The video for the album’s title track, “Ghost Town,” will premiere the morning of Monday, July 24th at www.bucketlistmusicreviews.com.
A truck-driver’s daughter, Plett grew up in Manitoba, where, at the age of 13, she was involved in a vehicular accident that took the life of her cousin (and best friend) and almost cost her her own life as well. Plett overcame debilitating and life-threatening injuries to over half her body. With a second chance at life, Plett vowed never to take her existence for granted and at a very young age adopted a motto she has lived by ever since: “I’d rather die living than live not alive.”
After pouring her heart out on the piano through her teenage years, she soon picked up a guitar and began her first foray into songwriting. Following a showcase at the 2005 Winnipeg Folk Festival, Plett released her first EP, Repeated Stories. In 2010, she released Outside the City, where she truly established her unique country/folk/soul sound.
As Plett’s music career started to crescendo, news from the Manitoba family farm rocked her to her core. When Plett’s mother was diagnosed with brain cancer and was given one year to live, the music stopped. Having to deal with not only the devastating loss of a parent, but her biggest supporter and encourager, took its toll. A few years later, Plett poured her pain into her music and had to rediscover the joy of performing, but eventually she found comfort in her mother’s encouragements to “let your wail out!”
Out of the void came songs on her new album like “Trigger” and “Stay,” along with a new motivation to take her music to the next level—in Nashville. The timing of the release of Ghost Town was very carefully chosen around a very special person’s birthday and significant time of year. “In 2010, I released Outside the City on September 2nd, which was one day before my mother’s birthday,” says Plett. “In 2013, almost a year to the date of her diagnosis—and a few weeks after her birthday—my mom lost her battle with cancer. The reason I am releasing Ghost Town when I am is because of how full-circle my life has come in the past seven years. What I thought was the plan seven years ago with Outside the City was not the right time… what is happening now is. I know I’m in the right spot. I feel there is a huge significance in celebrating this ‘full-circle’ by releasing my new album so close to the anniversary of my last release and just a few days before my mother’s birthday yet again. After all, my mom was the first one to encourage me to wail.”
Plett plans to tour extensively in Canada and the U.S. in support of Ghost Town. She is celebrating the album release with a very special intimate, acoustic show in Nashville at Belcourt Taps on Wednesday, August 30th at 6 p.m. For $10, fans can get into the show and get a copy of the album a few days before its official release date. “The reason I am having the release party in Nashville is because of how everything that has happened in my life, up until this point, seems to have led to this,” says Plett. “I truly feel like I am on the path I was purposed to be on in this life… I just had to go through everything I did to fully see it and recognize it. And I believe I have.” Confirmed tour dates are listed below; more tour dates will be announced soon.
Melissa Plett Tour Dates:
Aug. 9 – Vergennes, VT / Bar Antidote
Aug. 11 – Richmond, VT / Stone Corral Brewery
Aug. 30 – Nashville, TN / Belcourt Taps (album release party)
Sept. 8 – Richmond, VT / Stone Corral Brewery
Sept. 9 – Richmond, VT / Stone Corral Brewery Anniversary Party
Sept. 9 – Montreal, QC / The Brass Door Pub
Sept. 13 – Sault Sainte Marie, ON / LopLops
Sept. 16 – Winnipeg, MB / Le Garage
Oct. 21 – Montreal, QC / Grumpy’s
Oct. 28 – Burlington, VT / Nectar’s
Nov. 25 – Montreal, QC / Coming Together Project
…more dates to be announced soon!
New video coming July 24th; single to be released as a 45 on vinyl later this summer
New album, Electric Lights, coming out in the fall
Dwight & Nicole just released their powerful new single, “Wait,” on July 4th digitally, and the accompanying video is set for release on the morning of Monday, July 24th via the band’s social media pages. Folks may already recognize one half of Dwight & Nicole, as Nicole Nelson was a finalist on “The Voice” (season 3), and tore up the iTunes charts with her rendition of Leonard Cohen’s “Hallelujah.”
Later this summer, Dwight & Nicole will release “Wait” in 45 rpm vinyl format, with the follow-up single, “Hi Low” as the B-side. Dwight & Nicole just finished recording their new album, Electric Lights, with multi-Grammy Award-nominated producer Joel Hamilton (Aaron Neville, The Meters, The Black Keys) at Studio G in Brooklyn, NY. With the shimmering soul-rock anthem “Wait” out on iTunes now, the full album will be released in the fall.
You can hear “Wait” here. You are free to post this song online in stories/items/articles
about Dwight & Nicole via the following:
Link: https://m.soundcloud.com/user-531682817/wait
More information:
Dwight & Nicole is a three-piece blues-soul-rock band fronted by Dwight Ritcher and Nicole Nelson. Ritcher and Nelson are both well known on the East Coast for their powerful voices and songwriting. Together, they have toured up and down the Northeast, growing a fiercely loyal fan base, and self-releasing two award-winning albums through crowd funding. The Boston Globe calls them “a tour de force that demands much wider success” and describes their sound as “poignant, hard-driving and heavenly.”
They both trade off singing leads; he also plays masterful electric guitar, and she plays melodic electric bass, all the while, layering in harmonies and shouts. The recent addition of powerhouse drummer Ezra Oklan to the band introduces the perfect underlying rhythm. The results are stunning.
“Take R&B, soul, blues and jazz, mix in razor-sharp rock guitar… heat to boiling, and watch your face melt. That’s Dwight & Nicole.” – Relix Magazine
New England Music Awards ?BAND OF THE YEAR
July 11, 2017
About Tony Lucca: Nashville-based singer-songwriter Tony Lucca spent last year focusing on his catalog, and he hit the road for an extensive cross-country run with Alex Dezen (of The Damnwells) and Christian Lopez, as well as an outing to the West Coast and Texas with Tyrone Wells. Lucca also celebrated the 10th anniversary of his album, Canyon Songs, with a very special show at 3rd & Lindsley in Nashville. At the show, he performed the album in its entirety track-for-track, as well as a second set of Lucca classics from over the years. Joining him onstage at this very special event were “American Idol” winner and recent tour mate David Cook, Lady Antebellum guitarist Jason “Slim” Gambill, Nick Bearden of Jamestown Revival, Tim Jones of Truth and Salvage Co., and tour mate Christian Lopez. Also in 2016, Lucca released two EPs of material from a previously recorded session at the legendary Sun Studio (in Memphis) and another session he’d done in Muscle Shoals, AL in 2006.
Prior to hitting the road with Hultquist this fall, Lucca has confirmed a residency in Nashville this summer with a series of four free shows at The Country (110 28th Avenue North, Nashville); one already took place on June 28th, and three more shows will follow on July 27th (6 p.m.), August 23rd (8 p.m.), and September 6th (8 p.m.). Billed as “Tony Lucca and Friends,” the residency is an opportunity for Lucca to work on some new material for a forthcoming album in a live setting. Confirmed special guests for these shows include Dustin Christensen, Ernie Halter, Paul Pfau, Gabe Dixon, Barrett Baber, and many more.
About Derik Hultquist: On his new album, Southern Iron, produced by Frank Liddell (Miranda Lambert, Brandi Carlile, Aubrie Sellers, Lee Ann Womack) and Eric Masse (Mikky Ekko, Robert Ellis, Andrew Combs), Derik Hultquist offers rich portraits of reflection, anticipation, and stillness via lush rock-and-roll. This is his first length effort on Carnival Recording Company/30 Tigers, the follow-up to three EPs, Whether Report, Leaning on the Rain, and Mockingbird’s Mouth. This recent effort earned him widespread attention and opening slots for complementary heavy hitters including Sturgill Simpson, The Lone Bellow, Toad the Wet Sprocket, Joan Osborne, Jackie Greene, Bob Schneider, Matthew Logan Vasquez, Sean Hayes, Sean McConnell, Ben Sollee, as well as his own headlining tour.
Tony Lucca / Derik Hultquist Tour Schedule:
9/19 – Decatur, GA / Eddie’s Attic
9/20 – Charlotte, NC / The Evening Muse
9/21 – Vienna, VA / Jammin’ Java
9/22 – Akron, OH / Musica
9/23 – Columbus, OH / Rumba Café
9/25 – Ann Arbor, MI / The Ark
9/27 – Evanston, IL / SPACE
9/28 – Pittsburgh, PA / Club Café
9/30 – Philadelphia, PA / MilkBoy
10/2 – New York, NY / Rockwood Music Hall, Stage 2
10/3 – Boston, MA / The Red Room at Café 939
10/5 – Asheville, NC / The Grey Eagle
10/7 – Nashville, TN / The Basement
For Immediate Release
July 6, 2017
THE CONTEMPORARY YOUTH ORCHESTRA,
CONDUCTED BY FOUNDER LIZA GROSSMAN, JOINS FORCES WITH
STYX FRONTMAN TOMMY SHAW TO CELEBRATE THE 10TH ANNIVERSARY
OF ONE OF THE BAND’S MOST ICONIC PERFORMANCES
PREMIERE OF THE 2016 SPECIAL SING FOR THE DAY! TOMMY SHAW AND CONTEMPORARY YOUTH ORCHESTRA TO AIR ON AXS TV ON SUNDAY, JULY 9 AT 10pE
The Career-Spanning Set Includes Beloved STYX Hits, as Well as Classics from Shaw’s Acclaimed Solo Albums and His Time with the Supergroup Damn Yankees
Classical music and classic rock collide as AXS TV presents STYX frontman Tommy Shaw in the premiere of the 2016 concert special SING FOR THE DAY! TOMMY SHAW AND CONTEMPORARY YOUTH ORCHESTRA—airing Sunday, July 9, at 10pE.
“Ten years after STYX and CYO performed for the first time together, I’ve joined forces with them again, this time for a solo acoustic symphony show!,” said Shaw about the special.
Says CYO founding music director and conductor Liza Grossman of this pairing: “Tommy’s killer voice needed to be showcased in an acoustic setting with an orchestra; he has a vast and diverse library and the timing was perfect since it was the 10-year anniversary of the Styx and Contemporary Youth Orchestra show. He sang with his entire being and the orchestra responded with the same eager passion. I can’t wait for everyone to experience this show!”
SING FOR THE DAY! was filmed live at the Waetjen Auditorium in Cleveland, OH, in May of 2016, commemorating the 10TH Anniversary of STYX’s landmark collaboration with the Contemporary Youth Orchestra with an unforgettable night of music. Wielding a mandolin and an acoustic and electric guitar, Shaw sails through a career-spanning set of STYX hits, solo favorites, and more, backed by the impressive 115-piece teenage orchestra and choir. Highlights include soaring renditions of the STYX staples “Too Much Time On My Hands,” “Renegade,” “Sing For The Day,” and “Blue Collar Man,” as well as Shaw’s acclaimed solo hits “Diamond” and “The Great Divide,” Damn Yankees classics “High Enough” and “Come Again,” and many more, delivering an incredible one-of-a-kind experience that music lovers of all ages won’t want to miss.
ABOUT LIZA GROSSMAN AND THE CONTEMPORARY YOUTH ORCHESTRA:
The Contemporary Youth Orchestra, based in Cleveland, OH, is a revolutionary ensemble devoted to preparing students for a confident career in the creative industries. While youthful in energy and passion, CYO is professional in quality, delivery, and repertoire, which is dedicated exclusively to contemporary music. CYO was founded by the inimitable Liza Grossman 22 years ago, and her radiant, infectious energy and focus on the full spectrum of education for CYO participants has created a one-of-a-kind environment for music students. The performers participate in professionally run rehearsals, recording sessions, performances, collaborations with composers, guest artists and film crews. This unique group has performed with the likes of Melissa Etheridge, Ben Folds, Styx, Graham Nash, Pat Benatar, Twenty One Pilots, Jon Anderson, Ray Manzarek, Panic! At the Disco, Fall Out Boy, Coolio, Machine Gun Kelly, Bootsy Collins, Jefferson Starship, Weezer, and others.
In addition to being the Music Director of the Contemporary Youth Orchestra, Grossman is the tour conductor for the rock group Styx. She has conducted over 500 world premieres including 10 concertos with members of The Cleveland Orchestra, full-scale orchestral works by Pulitzer Prize-winning composers including Bernard Rands, numerous works by professional and young and emerging composers and hundreds of orchestral rock works. Grossman, who is also a professional violist, has conducted orchestras including the Nashville Symphony, the Jacksonville Symphony, the Colorado Symphony, and CYO on stages including Red Rocks, Blossom Music Center, Severance Hall, Schermerhorn Symphony Center, Nautica, Interlochen and Quicken Loans Arena. On top of winning multiple awards for teaching and adventurous programming, Grossman received the prestigious Cleveland Arts Prize Mid-Career Award in 2016.
ABOUT AXS TV
Launched in July 2012 by visionary entrepreneur CEO Mark Cuban, AXS TV is dedicated to providing groundbreaking music programming, stand-up comedy performances from today’s top comedians, and hard-hitting mixed martial arts promotions. The network’s hit franchise series include THE BIG INTERVIEW with Dan Rather; ROCK & ROLL ROAD TRIP WITH SAMMY HAGAR; THE WORLD’S GREATEST TRIBUTE BANDS; GOTHAM COMEDY LIVE; and AXS TV FIGHTS.
AXS TV is a partnership between Mark Cuban, AEG, Ryan Seacrest Media, Creative Artists Agency (CAA) and CBS. The network is available in the United States via AT&T U-verse, Charter/Spectrum TV, Comcast/Xfinity, DIRECTV, DIRECTV NOW, DISH, Frontier, Sling TV, Altice/Suddenlink, Time Warner Cable/Spectrum TV, Verizon FiOS, and other cable, satellite and telco providers, including members of the National Cable Television Cooperative. The network is also distributed in Canada, Mexico and the Caribbean. For more information, please visit www.axs.tv and www.axs.tv/press. Follow AXS TV on Facebook,Twitter @axstv; Instagram; Cyber Dust and YouTube.
FOR IMMEDIATE RELEASE
July 6, 2017
“…blending rock’s bristle with country’s storytelling…
songs that course across a broad span of classic country,
classic rock, blues and Americana music… a compelling gumbo…” LA Times
Nashville-based Americana outfit the Whiskey Wolves of the West are set to bring their raw, authentic music to Nashville stages for three shows this summer (see tour dates below). The group is the brainchild of veteran singer-songwriters Leroy Powell and Tim Jones, and their sound is something that can only be earned by a thousand nights in smoky bars and a million miles on bald bus tires. Disciples at what could be the last supper of country music, their tunes are high and lonesome, yearning and dark, twangy and gritty and oh-so-satisfying.
Studio musician/producer extraordinaire Leroy Powell can be heard on so many favorite records: Sturgill Simpson, Shooter Jennings, Waylon Jennings, Whiskey Myers, and countless tracks with Grammy Award-winning producer Dave Cobb. Bandmate Tim Jones, a vocal powerhouse, has shone on his notable collaborations with Chris Robinson (The Black Crowes), Carl Broemel (My Morning Jacket), and Truth & Salvage.
Since April 2016, the band has had an ongoing residency at The Sutler in Nashville almost every Saturday night. Currently on break for several weeks, the residency resumes on July 29th. They’ve had many special guests on stage with them at The Sutler, including folks like Slim Gambill (Lady Antebellum), Kenny Olson (Kid Rock), Robin Zander (Cheap Trick), Johnny Duke (Lee Ann Womack), Michael Webb (John Fogerty, Poco), Robben Ford, Wheeler Walker Jr., Jimmy Wallace (Joe Walsh), and more.
Upcoming Whiskey Wolves of the West Nashville shows:
July 25, 8:30pm, Family Wash (with Emily West, The Line)
August 1, 8:30pm, Family Wash (with Shelly Fairchild, Sally Jaye)
September 5, time TBD, Basement East for Whiskey Jam
FOR IMMEDIATE RELEASE
June 5, 2017
Eliot Bronson to release James in August
New album produced by Grammy Award winner Dave Cobb
Atlanta-based award-winning Americana singer-songwriter Eliot Bronson is set to release his next album, James, on August 25, 2017 via Rock Ridge Music (with distribution via ADA). James was produced by Grammy Award-winning producer Dave Cobb (Sturgill Simpson, Jason Isbell, Chris Stapleton), who also produced Bronson’s most recent, self-titled album. “It was a pleasure working with Eliot,” says Cobb. “He is a brilliant lyricist and poet.”
“Dave Cobb’s honesty and old-fashioned vibe were so appealing to me,” Bronson says. “They leant themselves to the way I created. And, of course, it was a huge boost to have this great artist/producer at your back.” Cobb and Bronson had worked together previously on his 2014 release, Eliot Bronson. “But this album is different,” Bronson points out. “It’s more sparse and economical. My voice is stronger. And I think it’s a step away from the purely Americana vibe of the last one in a direction that I have a hard time defining. I’m excited to discover how this music will define itself. I’m immensely proud of this record. It’s the best thing I’ve done. I can’t wait to share it with everyone.”
James offers songs that are more like pictures than movies, capturing moments and digging deeply into their meanings. A stomping beat, raw harmonica and searing electric slide drives the opening track, “Breakdown In G Major,” followed by a selection of songs that only confirm Bronson’s restless, escalating excellence.
“Good Enough,” for example, captures a relationship in its final stage — a stage that may end tomorrow or stretch on for years. Bronson sings it sorrowfully, asking the rhetorical question of whether “‘good enough’ is good enough for you” from this point. “When I stumbled onto that line, I was like, ‘That’ll probably stick,’” he says. “But I think the song really came from the first line, ‘Were we really that young?’ Sometimes it takes just one line to resonate with me and get me to start writing.”
Then there’s “The Mountain,” whose elusive grandeur delivers a powerful message but leaves it to the listener to parse its meaning. “There’s a very literalist current in writing and music right now,” Bronson observes. “There aren’t a lot of layers to lyrics these days. It’s just what you see on the page. So when you don’t write that way, you get, ‘What are you hiding?’” He laughs and then concludes, “I don’t look at it that way. For me, it’s more about how you feel when you hear it. What does it do for you? That’s the message!”
One more, “Rough Ride,” is a departure for Bronson. Here, the meaning is clear: When 25-year-old Freddie Gray fell unaccountably into a coma in the back of a Baltimore police van, much of America expressed shock and outrage. So did Bronson, but he channeled those emotions into this song. “I had mixed feelings about writing this because I don’t like inserting my political or social beliefs into art,” he explains. “Art should be about connecting people, not drawing lines between them. But I was listening to Dylan’s Desire album at the time, especially ‘Hurricane.’ I always wanted to write a song like that. It was like, ‘How can you tell a story almost journalistically with great emotional impact and yet not come off heavy-handed?’ I wanted to see if I could do it. Now I’m glad I did.”
Originally from Baltimore, Bronson grew up in a religious household – both his father and grandfather were Pentecostal ministers – and Bronson found shelter in music. At age 15, he got his first guitar and started teaching himself to play. From local coffee houses and venues beyond Baltimore, Bronson sharpened his writing and performance. A local following grew; the Baltimore Sun anointed him “a folk singing wunderkind.” Expanding his range, Bronson then toured as one-half of a duo. They moved to Atlanta, and when his partner quit, Bronson persisted on his own.
Embraced for his 2014 self-titled album by the likes of CMT Edge, Country Weekly, Guitar World, Sirius XM’s Outlaw Country, Acoustic Guitar Magazine and more, Paste Magazine called Bronson and his music “an Americana gem” and “a poetic blend of urban coffee house and outskirts-of-town saloon.” Glide Magazine named the album “one of the best releases” of 2014 and called Bronson “a rock and roll, folk, country mash-up … [with] strong songwriting and lush vocals. …Eliot Bronson is like a gorgeous, magnificent hybrid of [Ryan] Adams, Jason Isbell, and Jim James. …his songs are so purely authentic and well crafted…” Saving Country Music praised Bronson for “capturing moments of spectacular insight and feeling, and giving words to what previously were thought to be unmentionable, and undefinable feelings, and doing it all with a deep sense of mood and melody that make the emotions drip from the edges of the notes like tears.” Bop n Jazz upped that ante by heralding him as “maybe the best singer/songwriter since Dylan.”
Bronson has released three critically acclaimed solo albums and, prior to his solo career, was a member of The Brilliant Inventions. He has won such esteemed songwriting awards as first place at Chris Austin Songwriting Contest at MerleFest and Eddie Owen Presents “Songwriter Shootout,” and he’s been a finalist at Kerrville Folk Festival, Rocky Mountain Folks Fest Songwriting Contest, and New Song Contest Lincoln Center NYC.
Bronson plans to tour in support of his new album. Confirmed tour dates are listed below. More tour dates will be announced soon.
Eliot Bronson Tour Dates:
Sat 6/24 – Eddie’s Attic – Decatur, GA (two shows opening for The Roosevelts)
Sat 7/1 – The Bluebird Café – Nashville, TN (in-the-round w/Michael Logen + others)
Thu 7/6 – Camp House – Chattanooga, TN (w/Michael Logen)
Fri 7/7 – Open Chord – Knoxville, TN (w/Michael Logen)
Thu 7/20 – Country – Nashville, TN (in the round)